(Click on image for full size)
(Click on image for full size)
Tomorrow, the Microscope is leaving for a week and going right into ground zero of the economic crisis: Athens.
Sadly, this won’t be like a month ago, when I was in Spain. That’s a nice way of saying that I haven’t prepared any comics in advance (due to various reasons) and the blog’s traffic will plummet like the global market (too soon?).
So, I hope to be back next Friday, and will put up some new comics soon. Meanwhile, why don’t you feast upon the Comic Archives? It’ll cure what ails you – if what ails you is a postdoc, academia, lab monkeys, research funding, or just an old man yelling at you for using a multichannel pipette.
You can also follow me on Twitter, which is where everything happens these days. I’m sure I’ll have a lot to tweet from Greece.
(Click on image for full size)
My sci-fi thriller, LAZARUS, is out on Smashwords and Amazon!
You may have noticed a little upsurge in “hand-drawn” comics in the past couple of weeks, the most prominent being Grampa Scientist.
I’ve been using the Wacom Pen tablet I got a few weeks ago and I’ve been experimenting with various drawing software. The one I prefer – so far – is SmoothDraw. I like its simplicity, which is important, given that I draw simple cartoons.
This past week, I tried Artweaver. It’s surprisingly rich for a freeware, runs smoothly and has an interface like Photoshop. The problem was its actual complexity. For all its great features, it took me ages to find a simple felt pen for sketching. There are just so many settings and adjustments etc for every one of the available “brushes” that it just became counterproductive. And even when I managed to find a setting that allowed me to sketch, it didn’t have the liquidity that SmoothDraw provides. Also, drawing often suffered from lag, especially with quick strokes or long continuous lines.
Colouring in was also a pain, as you have to change the pixelation (“threshold”) of your sketch to avoid horrible white marks. SmoothDraw on the other hand is a bit more intuitive and fills things out a lot nicer.
Overall, it seems that Artweaver is better for deep, artistic work. When it comes to line art and colouring, I’d recommend SmoothDraw (which actually has more features than the average cartoonist will ever need!). Anyway, they’re both free, so give them a try and find the one that works for you.
Still, I did draw something with Artweaver. Here you go:
The Upturned Microscope 